Research Article
Exploring the Role of Monumental Values in the Mountainous Regional Development Using Traditional Bridges as an Illustration
Maria Goula1, Nikolaos Hasanagas2*
1Maria Goula, Centre of Environmental Education of Makrinitsa, Magnisia, Greece
2Nikolaos Hasanagas, University Forest Administration, Aristotle University of Thessaloniki, Greece,
*Corresponding author: Nikolaos Hasanagas, University Forest Administration, Aristotle University of Thessaloniki, Greece, E-mail: n.hasanagas@gmail.com
Article Information: Submission: 20/01/2016; Accepted: 10/02/2016; Published: 16/02/2016
Copyright: © 2016 Hasanagas N. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Abstract
Aim of this research is to examine the contribution of traditional bridges as monuments to the regional development and to empirically analyze the
possible interdependence of their monumental values. In 2015, 135 standardized questionnaires were answered by school teachers during an adult
education project, including a visit to the bridges of Mpalta (Dipotama), Gorgianades, Karitsa and Xerolikos (Korischades) in the region Evritania, central
Greece. Bivariate correlation test Spearman was used for the analysis. Riegl’s model (1903) of monumental values has been used (historical value, agevalue,
aesthetic value, use value). All dimensions of all monumental values contribute to the creation of use value, as perceived by the interviewed visitors.
The historical value enhances use value through technical features inspiring safety, reflections of past events etc. Tourists are supposed to be mostly
attracted by architectural issues and local materials while the researchers are expected to focus on building methods or historical facts. Nostalgia enhances
the perception of all possible uses, disclosing a desire of transition from “monumental” into “functional”, particularly to “multifunctional”. Remembrances of
romantic past, uniqueness, etc. are related with several dimensions of use value. Emotional stimulus seems to be induced to the tourists and researchers by
the feeling of strength (eternity, immortality) characterizing “primitive” building materials and methods. Synergy appears among all four monumental values,
but mostly among historical, aesthetic and use value. Thus, “knowing”, “feeling” and “using” seem to be induced by each other. The multiple monumental
values characterizing the traditional bridges constitute them functional and of social, economic and entrepreneurial importance for the mountainous regions.
Keywords
Monument; Bridges; Forest policy; Environmental education; Rural development
Introduction
Aim of this research is to examine the contribution of traditional
bridges as monuments to the regional development and to empirically
analyze the possible interdependence of their monumental values. It
is well-known that “monument” etymologically has a Latin origin.
It means “reminding” or “advising”. People regard as “monument”
a signified entity, normally permanent and relatively big, such as buildings or other constructions, statues, stones, landscapes, trees etc.
Monuments can be either human-made (e.g. a building) or natural
structures (e.g. a tree). Some monuments have been constructed from
the beginning aiming at eternizing certain events or ideas. Some other
structures became monuments by perceptions of people adopted after
the formation of these structures. Riegl (original published in 1903)
characterized the former as “intentional” monuments while the latteras “unintentional” [1]. Apart from that he also suggested four types of
monumental “values”: the historical value (providing evidences about
the past), the age value (nostalgia, normally induced by the feeling of
damaging, decay or abandoning), the art or aesthetic value (which,
in wider sense, may be depicted as induction of aesthetic emotions,
either coming in accordance or in conflict with current values) and the
use value (economic profit). It is discussable whether all these values
appear in intentional and unintentional monuments. Eventually,
it would be more accurate to speak of intentional or unintentional
values of an entity which may be perceived as a monument at a
particular moment and by particular viewers.
Old-fashioned bridges at mountainous areas are normally called
-and possibly most by people of urban centers- “traditional”, as
they are arch-formed, relatively narrow and built by materials and
techniques which are quite unusual nowadays. In the past, these
bridges were of decisive social, political, economic and historical
importance. Without them, even the structure of the “nation” and
the “state” could be different, as the society which is today regarded
as a “single” nation and/ or state could be fragmented and divided
in several and smaller “societies”, “cultures”, and perhaps “nations”
and “states”. These bridges had drastically contributed to the social
networking among mountainous communities, which otherwise
would remain isolated. It is, thus, a reasonable hypothesis that these
bridges are nowadays structures of monumental character, and the
visitors viewing them tend to perceive the four monumental values
mentioned above.
The use value of these monuments is here regarded as their
contribution to the mountainous regional development. In the
present analysis the use value is defined in a wide concept. Namely,
it is not conceived by the authors as only the economic profit derived
from at least one of the other three values but as the profit derived
from the use of the bridge itself (passage). In other words, the use
value here includes in a wider sense both the monument-related use
and the instrumental use.
Literature review
Silva and Lea have intensively explored the links between rural
tourism and national identity, focusing on Medievalism, but without
measuring value correlations [2]. Lignola and Manfredi have
provided interesting interdisciplinary insights into technical aspects
of monuments’ restoration but they did not include perceptional
issues of the monumental values which are supposed to be restored
[3]. Bakri et al. have deepened into issues of valuing built cultural
heritage, examining both institutional and perceptional aspects but
in urban and not mountainous rural context [4]. Pascual et al. [5],
Pieraccini et al. [6] and Zvietcovich et al. [7] suggested a substantial
multidisciplinary approach to analyze, characterize and monitor
monuments but they insist on photogrammetric and technological
aspects rather than on the depiction or examination of their values as
they are perceived by the people. Fernandez et al. have also presented
a similar approach of surveying monumental settings, laying
emphasis on topographical aspects, however, without suggesting
particular relations between monumental values and morphological
and geophysical parameters of monumental elements and places [8].
Kaufmann focused on the conceptual and perceptual parameters
of cultural heritage but following a humanities-based and
psychological or even psychiatric approach and not a quantitative
multi-dimensional empirical approach [9]. Artusson et al. proposed a
political economy approach to monumental landscapes, focusing on
ritual and ceremonial context, however, from the Early Neolithic time
[10]. Efe et al. presented the case of a monumental tree and discussed
monumentalization parameters, which can be useful for analyzing
general perception of monumental values [11].
Building materials have been insightfully explored by Anania
et al. [12]. However, their approach considers only technical
and physical aspects (e.g. minero-petrographic and mechanical
parameters) and not value perceptions related to these materials.
Tomao et al. have proposed an interesting model considering safety
parameters and classical monumental values in the light of the need
of risk assessment and not in the context of values perception analysis
and correlation [13]. Similarly, Salman et al. have meticulously dealt
with environmental impact and natural hazards on monuments,
laying also emphasis on topographical and technical aspects, without
connecting the damage of a monument with the values it inspires to
the visitors [14].
Whitney et al. have intensively explored the complexity of
anthropogenic interventions, ecological patterns, deforestation and
land use issues in monumental areas, but not strongly focusing on the
perceptual parameters and their interdependence [15]. Matsumoto
has tried an interesting analysis of monumental elements signified
as political and religious symbols, through a prism of archaeological,
iconographic, linguistic and cognitive approaches [16]. However, this
insightful approach was hermeneutic rather than empirical.
Method
In 2015, 135 standardized questionnaires were answered by
school teachers during an adult education project implemented
by Environmental Education Centers (units subordinated to the
Hellenic Ministry of Education), particularly by the centers of
Makrinitsa (Magnisia) and of Karpenisi. A basic description of this
sample of 135 teachers is the following: Age: 6% under 30, 15% 30-40,
and 79% over 40 years old. Gender: 48% female and 52% male. School
level: 59% primary and 41% secondary school. During the project the
participants visited four traditional bridges of the region Evritania
(central Greece), specifically the bridges of Mpalta (Dipotama),
Gorgianades, Karitsa and Xerolikos (Korischades). Evritania is
located in central Greece. The coordinates and the technical features
of the bridges are presented in Figure 1. These bridges were appropriate
for the particular empirical research, because they are characterized
by obvious differences regarding monumental values and also are
located in a quite mountainous area. Therefore, a multisided view of
the monumental character of traditional bridges was provided.
The 135 teachers (interviewees) participated voluntarily in this
adult education project. Thus, the participants were specifically
interested, at least to certain extent, in studying traditional bridges.
Therefore, this is not a random sample representing the whole teaching
staff of Greece. However, this is not a weakness of the sampling, as
the aim of this research was not to provide descriptive statistics but only correlations. Additionally, the monumental values measured by
questionnaire, constitute non-physical, namely perceptual variables.
Thus, the sample should be a judgment sample including individuals
specifically interested in traditional bridges so as to be able to perceive
monumental values. Bivariate correlation test Spearman was used for
analyzing the primary data at a significance level of 1% and 5%, so as
to avoid the influence of possible outliers.
Figure 1: Four traditional bridges of Evritania Greece (photos by authors, technical and geographical data from “Gefyria tis Evritanias” http://gefyria.blogspot.gr,
visit day 21-1-2016).
The four monumental values were operationalized on the basis
of in-depth interviews with teachers and of the literature. The
interpretation of the results was also based on in-depth interviews
with the participants.
Results and Discussion
The role of historical value:
In the Table 1, it is observed that all dimensions of the historical
value present several positive correlations with the dimensions of
the use value. More precisely, the impression of use of the bridge for
passage seems to be enhanced by the information perceived about the
traditional architecture and statics (.226), the building method (.206)
and the historical facts (.186). This can be attributed to the fact that
a bridge which is supposed to be built by constructors having paid
attention to such technical parameters in the past gives the impression
that it is still safe enough for passing through. Additionally, a bridge
which is connected with historical events is natural to reflect an intensive passing of solders, refugees etc.Not surprisingly, the interviewees consider a bridge to be a
tourist attraction, if it provides evidences about all dimensions of
historical value (.450 to .385) and at the utmost about traditional
architecture/ statics (.450) or about local materials (.421) used. This
is understandable, considering that all these historical dimensions are
attractive as they provide a multifaceted and irreplaceable combination
of knowledge, which may be either of local or of wider interest. The
architectural/ technical features as well as the local materials seem to
give the most peculiar, specific and irreplaceable impression to the
tourists, as they are often connected with local knowledge, cultural
ecology, “organic architecture” and eco-geography.
Concerning the economic activity, it is mostly supposed to be
favored by evidences perceived about traditional architecture/statics
(.211), technicians-builders (.198), possible sponsors (.354), who have
supported the construction or possibly the maintenance of the bridge,
social needs (.175) (e.g. transport of patients, forest products and
other commodities, teaching staff, cultural communication) that are
satisfied by the bridge, torrential phenomena (.196) (the existence or
no existence of which may be of importance for the entrepreneurship
of the area), historical facts (.299) and neighboring constructions
(.416).
The use of the bridge as an icon on postcards is a classical way
of a landscape exploitation. Thus, several dimensions of historical value (.334 to .240, .223 to .194, .184). especially the visible ones
such as architectural/ technical and material characteristics,
geomorphological features or torrential phenomena during their
occurrence are naturally conducive to its use as an icon on postcards.
Historical elements which may be not visible but mentioned or
additionally re-produced on a postal card (such as historical facts)
can also enhance the use of the bridge as an icon.
It is also understandable that historical elements which are
invisible and simultaneously mostly indifferent for the public do
not influence the value of the bridge. These appear to be the possible
sponsors, what and how exactly was transported in the past and
possible neighboring constructions (.045, .141 and .174 insign.). The
irrelevance of the neighboring constructions for the picturesque use
of the bridge, though they also may be related to the use of the stream
water (e.g. a fulling) or of the bridge itself (e.g. inn), implies that a
bridge appears to maintain an independent iconic signification and
importance. Hence, it may be perceived by the interviewed teachers not merely as an interesting icon but also as an autonomous symbol.
The bridge can be perceived as a symbol of social networking und
unification, over-coming obstacles (streams, canyons) “posed” by
the nature. Furthermore, it can be signified as a symbol of unifying
“civilization”, considered to be developed in and coming from the
accessible plain, with the mountainous “wilderness”. As long as a
traditional bridge is so seriously signified in the perception of the
interviewees, then it can easily stand autonomously on postcards and
not as a part of a landscape “needing” other landscape elements (like
neighboring constructions) in order to become “interesting”.
In the view of the interviewees, the research activity, namely
the attraction of researchers (academics or journalists), seems to be
stimulated by all dimensions of the historical value (.467 to .348),
as they are perceived by the interviewees. Therefore, these two
categories of public (tourists and researchers) seem to be in general
motivated by the same stimulus : a wide range of discovering and
exploring. However, according to the perception of the interviewees, these two categories are specifically differentiated in certain details:
while, as afore-mentioned, the tourists seem to be mostly interested
in architectural issues and local materials, the researchers apparently
focus most strongly on building method (.499) and/ or historical facts
(.488). This is understandable, as the building method is much more
technically specific and the historical facts much more demanding in
humanities-related knowledge. In any case, none of them is at first
place suitable for a mental relaxing but rather for satisfying visitors
with restless mentality.
The role of age value:
In the Table 2, main dimensions of age value, namely nostalgia,
feeling of damage proceeding on the bridge as a monument, and
feeling of needing maintenance, appear to be correlated with various
dimensions of use value.Nostalgia seems to enhance the perception of all possible uses of
the bridge (.228 to .386). Interviewees who feel nostalgia, induced by
comparing the actual situation of a bridge with the past, tend to desire
a re-vitalization of the bridge and its conversion from “monumental”
into “functional” (using it as a passage). They also tend to desire a multifaceted use of it (as tourist attraction, pole of economic activity,
icon on postcards and subject of research). Such a full use of a bridge
not only enhances its reputation but also makes it widely known and
eternizes it.
Interviewees feeling that a bridge is damaged through the time
(.219) tend to deem it a subject of research. This can be interpreted as
a reaction against to the proceeding damage. Researchers are expected
to save information about the past or information of technicalphysical
character, before the bridge is fully destructed by natural or
human factors. Interviewees who feel the need of maintenance are
those who tend also to believe that the bridge can still become a pole
of tourist attraction (.292) and of economic activity (.183) (taverns,
souvenir stores etc). This is reasonable as a bridge should be saved as a
monument in order to function as a pole of development. Moreover,
they also tend to see it as a subject of research (.451). This attitude can
be attributed to the fact that maintenance is necessary for saving the
bridge as an object that may provide clear data and evidences to the
researchers.
The role of aesthetic value:
The aesthetic value is a directly discernible value of a monument.
Not only the beautifulness but also various other features, inducing
feelings/ emotions, may compose the notion of aesthetic value. The
aesthetic value differs from the age value, as the latter is supposed to
be more individualized while the former one is supposed to express
more widely recognized features (e.g. uniqueness, safety, myths).The irrelevance of safety feeling for these four dimensions of the
use value can be understood as a result of its purely practical character
which does not contribute to further emotional reactions. According
to the perception of the interviewees, strength feeling is the only
element relative to safety which appears to enhance tourist attraction
and research. This can be attributed to the emotional stimulus induced
by the feeling of strength, namely the subsequent feeling of eternity
and immortality, which are achieved with the “primitive” building
materials and methods used on the bridge. For this reason, such a
strength feeling becomes attractive for tourists. For similar reasons,
strength appears also to be worth researching.
In general, uniqueness, beauty, tradition (myth/legends and folk
songs) as well as history seem to stimulate tourists and researchers,
as they provide a good escape from the monotony of the everyday
life (especially the urban life) and a multifaceted subject of research,
combining natural, technical and socio-cultural issues.
Synergy of monumental values:
In the Table 4, all four monumental values appear to depend on
each other. However, certain of them seem to maintain a stronger
relation to each other, as in the case of historical and aesthetic value
(.706). Obviously, a bridge which provides evidences about the past
also stimulates thereby aesthetic emotions. The “knowing” seems
thus to induce “feeling”. This can be attributed to the fact that the
knowledge about the past revitalizes picturesque elements and scenes
enhancing the potential of escaping aesthetic stereotypes which are
imposed in the everyday life. In other words, the real aesthetic value
of a monument seems to lie in the breaking of the everyday life values.
Besides that, the past induces emotional remembrances which build
values (such as heroism, stability) that may be perceived as beautiful
feelings and impressive world views.The next strongest synergy occurs between the aesthetic and the
use value (.612), as perceived by the interviewed visitors. The aesthetic
value constitutes an attractive opportunity of recreation and escaping
the everyday monotony of stress. It is thus of high relevance for the
use value of a monument.
The third strongest synergy appears between historical and use
value (.537). This is possible to occur either by inducing aesthetic
value and thereby use value, as analyzed above or directly (e.g.
attracting researchers).
Conclusions, Suggestions and Points for Future Research
All dimensions of all values contribute to the creation of use value,
as perceived by the interviewed visitors. Various interpretations
may be proposed for understanding these correlations. Concerning
the historical value it enhances use value through technical features
inspiring safety, reflections of past events, multifaceted knowledge
of local or wider interest, particularly related to cultural ecology,
“organic architecture” and eco-geography, entrepreneurial use
(forest and agricultural commodities etc.), satisfaction of social needs,
iconic and symbolic content. Invisible elements such as sponsors or
other details remain indifferent to the public. Tourists seem to be
mostly attracted by architectural issues and local materials while the
researchers tend to focus on building methods or historical facts.
Concerning the age value, nostalgia enhances the perception of
all possible uses, disclosing a desire of transition from “monumental”
to “functional”, particularly to “multifunctional”. Such an intensive
re-vitalization of the bridge is also in accordance with the desire for
making it famous and “eternal”. Regarding the bridge as a subject of
research may also be understood as a reaction against proceeding
damage and for eternity. Maintenance is perceived as a prerequisite
for carrying out research.
As for the aesthetic value, remembrances of romantic past,
uniqueness, beauty and feeling of strength are related with several dimensions of use value providing a) opportunity of escaping
everyday monotony and b) a multifaceted subject of research.
Safety feeling appears to be only of practical and not of emotional
importance. Emotional stimulus seems to be induced to the tourists
and researchers by the feeling of strength (eternity, immortality)
characterizing “primitive” building materials and methods.
Synergy appears among all four monumental values, but
mostly among historical, aesthetic and use value. Thus, “knowing”,
“feeling” and “using” seem to be induced by each other. The multiple
monumental values characterizing the traditional bridges constitute
them functional and of social, economic and entrepreneurial
importance for the mountainous regions. Even today, traditional
bridges can be used for the transport of people and commodities
as well as for reaching areas which would be inaccessible through
the normal forest road network. Enabling such accessibility is of
multisided relevance for forest policy implementation (e.g. forest fire
prevention or even fighting, improvement of habitats and silvicultural
or other forestry actions, students and forest employees education),
environmental education of pupils, architectural training, cultural
and tourist promotion of a mountainous area through postcards,
paintings, documentary films or other products of iconographic,
historical and ethnographic interest or continuing folklore activities,
and rural development by attracting tourists or transporting
agricultural and forest products.
The maintenance, promotion and organized usage of traditional
bridges by the state and/or the regional authorities (prefectures
and municipalities) can be regarded as a rational option for the
development of mountainous regions. The use of traditional bridges
can be enhanced by and integrated in various programs concerning
cultural activities, tourism, building and monument restoration, rural
or even agricultural development.
A point of future improvement is to test the same indicators
of monumental values of bridges on a larger sample of visitors.
Formulating a typology of monumental features leading to certain
profiles (types) of monumental bridges is also a challenge for future
research. A comparison between perceptional data of monumental
bridges and of other kinds of monumental entities such as buildings,
landscapes etc constitutes also an interesting question for future
research.
